Gryphon Relatives

Despite their varied fanciful appearances and names, Gryphons remain unique creatures, embodying a legend and mystery all of their own. The diverse symbolism and distinctive characteristics attributed to these true monarchs of beasts have earned them a place in the world's history to stand apart from all other creatures, mythical or otherwise.

Yet there are other fantastic creatures which resemble Gryphons in either appearance or symbolism, making Gryphons the head of a classification of mythical animals which scholars term "Wondervogel", or in other words, "wonder birds". These fabulous birds of myth and legend are found all across the world, from a variety of cultures and times. Whether they carry gods upon their backs or are simply fowls of gigantic size, these creatures fly though our imaginations to mystify and astound.

Hippogryphs | Opinici | Sphinxes | Phoenix | Rocs | Garuda | Simurgh


A modern interpretation of a hippogryph. The most recognizable relative of the Gryphon is, of course, the Hippogryph, which is in fact the improbable offspring of a Gryphon and a horse. I say improbable because in legend, the horse is the mortal enemy of the Gryphon. Thus, one has to wonder about the mental stability of such a creature. Literally a "horse gryphon", the Hippogryph has all of the qualities of a Gryphon in it's foreparts, and those of a horse in it's rear.

If the joining of two enemies into one sounds poetic, then you are correct. The birth of the Hippogryph can be narrowed down to a line in Virgil's Eclogues (c. 37 BC) as a symbol of impossible love;
    "...soon shall we see mate Gryphons with mares, and in the coming age shy deer and hounds together come to drink..."
Again, you can see the strong symbolism attributed to Gryphons also found in Hippogryphs.

The Hippogryph's most noted appearance is in Ludovico Ariosto's epic poem, Orlando Furioso. Atlantes, a magician, owned the hippogryph, but he then gave it to the hero Rogero and taught him to ride the beast with the aid of a magic bridle.


The Opinicus is also a creature in close resemblance to the Gryphon, were it not for it's lack of wings and ears, and it's short tail, more camel-like than lion. Since the Opinicus was is a creature created specifically for the art of Heraldry, you can find more information on it in that section of my Pages.


A sculpture of a Sphinx found in Delphi, c. 560 BC. Another creature closely related to the Gryphon in both appearance and symbolism is the Sphinx. Sphinxes are generally thought of as lions with a human's head, though sometimes they have been found with other animal heads and even wings, which would make them look remarkably similar to Gryphons. Even their symbolism is mutual, since the Sphinx was regarded as the guardians of temples, and was sacred to the sun. And despite the common belief that Sphinxes are purely Egyptian, representations of the creatures have been found from Greece (as in the pic to the right) to the Yucatan. Due to the large number of similarities between the Sphinx and the Gryphon, it has been suggested that the two creatures have a common beginning. In fact, sculptures of Sphinxes appeared almost at the same time that ones of Gryphons did.


A Phoenix flying through the sky, drawn by Mia Bengtsson. There is enough information on the fantastical firebird the Phoenix to warrant its own website of in-depth exploration as I have done with the Gryphon. Yet until that goal of mine is accomplished, I will seek here to simply familiarize you with this great creature.

Unique in life, the Phoenix has no brothers or sisters, nor mother or father. She gives birth to herself. This bird will live anywhere from 100 to 12,954 years, though the most common life span for her is 500 years. Nearing the end of this time frame, the Phoenix feels the weight of time and knows that her end is near. So she builds herself a nest of spices, herbs, leaves and twigs atop of a date palm and rests inside of it, her wings outstretched. Soon the heat of the sun will ignite the nest, and the Phoenix inside will burn to ashes and die. Yet under the evening stars, life awakens inside of the ashes, and with the morning sun a young Phoenix will fly from the nest, to greet the new day and it's new life with all of the birds of the air flying behind it in homage. There are, of course, variations to this account at varying periods of history.

Clasic heraldic representation of a Phoenix rising from the flames. The Phoenix is extremely thick in symbolism. Like the Gryphon, the Phoenix has been used to represent Christ and his resurrection, and is most recognizable as being a symbol of the dying and rising sun. The very name "phoenix" means "crimson", "date palm", and "Phoenicia", in Greek, proving that to the Greeks that the golden, red and purple Phoenix was the representation of the rising sun in the east, and nested itself upon date palms, which continually renews itself like the fantastic bird.

Our image of a Phoenix rising from the flames has it's basis in ancient heraldry, where the bird is heavily used due to it's symbolism. In fact, such a depiction was used as a symbol of the great warrior maid Joan of Arc, with the motto, "Her death itself will make her live". Alas, like the Gryphon, the Phoenix fell under the discrediting eye of Sir Thomas Browne in his Vulgar Errors (1646), and despite the efforts of Alexander Ross, was finally marked as a figure of fantasy.

A representation of the Chinese Feng Huang, a Phoenix counterpart. Even the Phoenix has a large number of relatives. There is the Egyptian bennu, the keeper of the book of which is and what shall be. The firebird of Russian lore, a bird of jeweled eyes and flowing plumage who stole golden apples from the Tsar's garden. The Bird of Paradise, or Manucodiata, has a brilliant plumage much like the Phoenix, but is footless so that it constantly flies through the heavens and can never touch the sins of the earth. There is also the Cinnamon Bird of Arabia, the Cinomolgus, who makes her nest of cinnamon, a spice once valued as much as gold. And finally, there is the beautiful Feng Huang, emperor of all birds and ruler over the southern quadrant of the sky in China. Actually, the Feng Huang is sometimes regarded in China as two birds, one male (Feng) and female (Huang), who are a symbol of everlasting love since they live together in the Land of Immortals forever.

And yet despite facts and myths, a legend is indeed a legend, left open to interpretation and a wealth of opinions. In fact, up and coming author Melissa Hartman has her own idea of how history should have treated the Phoenix. Read more on her interpretations of and love for the immortal bird at!

A Vahazayi, a modern look at the classical Phoenix, drawn by Heather R. Shumacher. "If one to ask you to picture the mythical Phoenix, what would come to mind? Nine times out of ten, you would envision a small, eagle sized creature; perhaps it would have red and gold plumage, maybe with a trace of purple. Pressing the matter further, to have read about this creature, either in an encyclopedia or in a fantasy novel, one would find a wealth of documents depicting a gilded songbird, a pet of the ages. A creature that served only time and was tired of the endless cycle of death and rebirth. Such is the creature you would encounter; it may come in a few different body shapes and genders, but the tales remain the same: be it eagle like, swanlike, or pheasant like, the Phoenix's appearance to mankind is staid, locked within the cycle of rebirth and renewal.

Yet, through time and stereotypes, a new creature emerges. No longer singular, they stand tall, taller than an eagle, rising more than 11 feet in height, to a glorious 20ft. Coming in colors more varied than those found in fire, they live, work and simply are more than the Phoenix of bygone days. These are the Vahazayi Phoenixes, born to protect the Universe and uphold that which is right. Here you are not presented with a muted songbird created to be the pet of kings, but opinionated, unique and vocal beings with the innate power to transform into living flame, breathe fire and of course, hold immortality. Nothing before and nothing since are the diamond-eyed race. Thus is how I perceive the immortal, I who have borne this oft-misconceived creature for many years within my mind. Not of a pretty pet of kings and emperors, nor a slave to a timeless fate, but of a proud and noble race of warriors and defenders."

Rocs (Rukhs)

Rocs are seemingly simple creatures, yet have a complex history. Essentially they are nothing more than large eagles. VERY large eagles. In his written account of his travels, Travels, c. 1294, Marco Polo told of a bird in Arabia so large that it could pick up an elephant and take it into the sky!
    According to the report of those who have seen them... they are just like eagles but of the most colossal size.... They are so huge and bulky that one of them can pounce on an elephant and carry it up to a great height in the air. Then it lets go, so that the elephant drops to earth and is smashed to a pulp. Whereupon the gryphon bird perches on the carcass and feeds at its ease. They add that they have a wingspan of thirty paces and their wingfeathers are twelve paces long and of a thickness proportionate to their length.... I should explain that the islanders call them rukhs and know them by no other name.
For reference, thirty paces would be about seventy-five feet, and twelve paces would be about thirty feet.

Rukhs do have another name however, "rocs". It is in this guise that the large birds appear in The Arabian Nights, where Sindbad meets up with the rapacious elephant eating bird on his second voyage.

The Mahe Group of islands in Indian Ocean were once referred to on a map as the "Islands of the Rukh". This is probably so due to the writings of the Arab traveler Ibn Batuta, c. 1375, who wrote in his journal that, "What we took for a mountain is the rukh! If it sees us it will send us to destruction." The winds changed, however, and Batuta never got a good look at what the image was, much to his relief.

There was, in fact, an extinct gigantic bird whose bones have been found in Madagascar, called the Aepyornis maximus. At sixteen feet tall, commonly called the "elephant bird" due to roc lore, the aepyornis laid eggs that would have served an omelet for fifty people! Since the Aepyornis was alive during both Marco Polo and Ibn Batuta's times, it is most likely that this real creature is the base for the fantastic one.


Garuda flying through the heavens with Vishnu upon his back. A very unique and fantastic creature indeed, Garuda was borne from the cosmic egg along with the eight elephants which support the universe, according to Hindu myth. He is commonly described as a gigantic creature, half man and half eagle or falcon, is brighter than the sun and can traverse the universe with ease. It is the latter fact which grants him the position of the mount for the great Hindu god Vishnu and his consort, Lakshmi.

Garuda is involved in a number of Hindu legends, including just why snakes have forked tongues, a lustful tryst with a human woman, and the resurrection of two heroes with a touch of his wing. In fact, he is the center of attention in the festival of Kumbhmela, which is held in four different places on the shores of the Ganges, the location alternating every three years. This is because each of the four locations are believed to be possible resting places of Garuda during his 12 divine days (years for us) of battling daemons for the pot of nectar of immortality.

Simurgh (Senmurv)

A wood carving of the Senmurv. The Simurgh, sometimes also referred to as the Senmurv (Dog-Bird), is the ancient Persian Bird of Ages. I should emphasize "ancient" because legend tells that the Simurgh has lived through the destruction and rebirth of the world three times. Thus, because of it's immortal age, the Simurgh holds all of the knowledge of eternity. Though it was initially described as a "gryphon-like" bird, yet with a dog's head, the Simurgh eventually became an enormous bird with a wingspan that could block out the sun and the head of either a man or a dog. It made it's home in the Tree of Knowledge, whose branches held the seeds of every plant in existence. When the Simurgh landed upon the branches it scattered the seeds across the world, replenishing the earth and curing the illnesses of mankind. The Simurgh is also able to cure any sickness to man with a mere touch of it's wings. And in keeping with the theme of duality, where the roc represents the base animalistic and rapacious qualities of the Gryphon, the Simurgh is the benevolent protector and guardian.
The Simurgh carrying Zal to the top of Mt. Alberz.
The Simurgh makes it's most notable appearance in the epic Persian poem, The Shah Nameh ("Book of Kings"), by Firdausi. It took 35 years to compose the massive (60,000 couplets long) poem, which was completed in 1010 as a gift to Mahmud, the Sultan of Ghanza. In the poem the wise old Simurgh finds a child, named Zal, abandoned at the foot of the unclimbable Mt. Alberz by his father who believed him to be the progeny of demons. The Simurgh takes care of and raises the child, teaching him the ways of the world. Many years later the Simurgh gives Zal one of his feathers when it is time for the boy, now man, to return to the world his father took him out of. Zal returns to his father and inherits his kingdom, ruling wisely with his new wife, Rudabah, by his side. When Rudabah is about to die in childbirth, Zal calls upon the powers of the feather and Simurgh appears to help the woman and she gives birth to the great Persian hero, Rustam.